By Diana Weynand
Up to date for ultimate reduce professional 7 and written for pro video and picture editors who be aware of their method round Avid nonlinear platforms, this booklet indicates you ways to translate your talents to ultimate minimize seasoned fast and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a accomplished “translation direction” masking all of the crucial operations, from undertaking set-up and simple modifying via transitions and results, colour correcting, compositing, titling, and output. You’ll locate targeted function comparisons, functional conversion information, and directions on how one can use ultimate reduce professional good points that aren’t to be had in Media Composer. You’ll additionally research what’s new in ultimate reduce professional 7. filled with convenient good points, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex enhancing and workflow suggestions, this booklet can have you modifying with ultimate reduce professional in checklist time. each one bankruptcy represents an entire lesson in a key element of ultimate lower seasoned 7 and contains a overview part and record of keyboard shortcuts. available writing variety places a professional teacher at your facet plentiful illustrations and keyboard shortcuts assist you grasp options quick bankruptcy overview sections summarize what you’ve discovered
Read Online or Download Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition) PDF
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Extra resources for Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition)
You can mark any of the four points of a split edit by choosing a menu option, using shortcut keys, or dragging the mark points directly in the Viewer or Timeline. You can also create split edits very easily using Trim commands (covered in Lesson 4), and by using the Extend Edit command (covered in Lesson 6). Avid L-cut edit There are two different menus that have Mark Split and other Mark options: the Mark menu and a shortcut menu that appears by Control-clicking the Viewer or Canvas scrubber bar.
You can use multi-touch gestures to zoom and navigate the Timeline. You change the number of undos in the User Preferences window. com> # 2 Goals Use play commands Use mark commands Patch tracks in the Timeline Perform overwrite and splice edits Snap in the Timeline Enable visual overlays Create subclips Lift and extract clips Perform L-cut and split edits Add additional tracks Image here is FPO. Arrangements for purchase and placement of image to follow. Bleed on all sides s/b 18pts; pages in Quark s/b staggered.
Control-click in the Label field for the desired track, and choose a color from the shortcut menu. With this approach, you can colorize individual clip tracks. com> Working with Tools and Audio Meters 17 After a color label is applied to a clip or sequence, that color is displayed in the Viewer or Canvas and Timeline windows, respectively. Clip with color label appears with colored video and audio tabs Sequence with color label appears with colored tab in the Timeline and Canvas Working with Tools and Audio Meters You select Avid tools by using the keyboard, pressing command buttons, or selecting an option from the Fast menu.
Apple Pro Training Series: Final Cut Pro for Avid Editors (4th Edition) by Diana Weynand