By Janet Wright Starner, Barbara Howard Traister
Increasing the scholarly dialog approximately anonymity in Renaissance England, this essay assortment explores the phenomenon in all its number of equipment and genres in addition to its advanced dating with its regulate ego, attribution experiences. members handle such questions as those: What have been the results of publishing and examining nameless texts for Renaissance writers and readers? What cultural constraints and topic positions made nameless e-book in print or manuscript a strategic selection? What are the potential responses to Renaissance anonymity in modern study rooms and scholarly debate? the amount opens with essays investigating specific texts-poetry, performs, and pamphlets-and the inflection each one style offers to the problem of anonymity. the gathering then turns to contemplate extra summary outcomes of anonymity: its functionality in destabilizing scholarly assumptions approximately authorship, its moral ramifications, and its courting to attribution reports.
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Additional resources for Anonymity in Early Modern England: ''What's in a name?''
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345, pp. 33–6, where this poem and the libelous response have been collected together. In the case of a few ambiguous readings, I have compared the Folger text to the transcript by Bellany and McRae, Nv3. Their source is BL Add. MS 22603, fols 39v–41r. 30 Anonymity in Early Modern England :KDW&RUEHWWGRHVQRWWDNHXSH[SOLFLWO\LQWKHSRHPLVWKHLVVXHRIDXWKRUVKLS 7KRXJKWKHUHDUHDIHZYHLOHGUHIHUHQFHVWRWKH³3RHWVRI3DXOVWKRVHDW'XN +XPSK\HVPHVVH7KDWIHHGHRQQRXJKWEXWJUDYHV HPSWLQHV´OO±WKH\ DUHVKDGRZVDQGVWHUHRW\SHVUDWKHUWKDQVSHFL¿FLQGLYLGXDOV,WLVDOPRVWDVLI Corbett uses the particulars of the rumors to replace the missing authors’ names DQGOLNHZLVHWXUQVKLVDWWHQWLRQWRWUDQVPLVVLRQWRFRPSHQVDWHIRUWKHJRVVLS¶V obscure origins.
This convenient equation, espoused by many anti-libelers intent on discrediting the opponents they could not name, is also found in another anti-libel ascribed to Richard Corbett on page 107 of the Folger manuscript. In “Antidotum Cæcilianum,” Corbett refers to anonymous OLEHOHUVDV³EDVHVODYHV´DQGSHUIRUPVWKHVWUDWHJLHVVLPLODUWRWKRVHPRFNHGLQ WKH³$SRORJHWLFNULPH´%HOODQ\DQG0F5DH'O,URQLFDOO\³$QWLGRWXP &DHFLOLDQXP´PD\QRWEHE\&RUEHWWDWDOO%HOODQ\DQG0F5DH',WVDWWULEXWLRQ to Corbett in the Folger manuscript nevertheless offers evidence that Corbett was NQRZQ IRU GHEDVLQJ DQRQ\PRXV OLEHOHUV ,Q WXUQLQJ WKH DQWLOLEHOHUV¶ VWUDWHJ\ DJDLQVW &RUEHWW LQ WKH ³$SRORJHWLFN ULPH´ WKH OLEHOHU HPSOR\V &RUEHWW¶V QDPH DQGWLWOHDVGHDQRI&KULVW&KXUFKDVDNLQGRIDQRQ\PLW\DFORDNRIUHVSHFWDELOLW\ designed to hide Corbett’s corruption.
Anonymity in Early Modern England: ''What's in a name?'' by Janet Wright Starner, Barbara Howard Traister